Maybe it’s the feeling of hopelessness that’s enveloped the US right now, or the sense of impending dread as a...
Reviewed by Devon Leger in issue: February/March/2025
Recorded by inmates of Mississippi’s Parchman Prison alongside Grammy-winning producer Ian Brennan, this album picks up where 2023’s Some Mississippi...
Reviewed by Billy Rough in issue: April/2025
Intertextuality is not a common word to introduce a review of dance music, but it is everywhere in this second...
Reviewed by Kim Burton in issue: April/2025
Julie Fowlis, Éamon Doorley, Zoë Conway & John Mc Intyre
This is the second outing for a supergroup connecting the pan-Gaelic traditions of Hebridean Scotland and Ireland. It unites Julie...
Reviewed by Nathaniel Handy in issue: April/2025
As a boy in the late 90s growing up in the village of Kolomwe in Zambia, Waina Kolomwe was given...
Reviewed by Nigel Williamson in issue: April/2025
This is meditative music, created by a group of Japanese and Japan-based musicians playing Japanese, Chinese, Indian, Korean and Mongolian...
Reviewed by Keith Howard in issue: December/2024
Another record from a Western-based Iranian musician with the same familiar themes: mystical song titles, cross-cultural collaboration and, of course,...
Reviewed by Kamyar Salavati in issue: February/March/2025
These grooves constitute a limited-edition LP of ten tracks from the El Volcán label recorded during the 70s and 80s....
Reviewed by Mark Sampson in issue: April/2025
Monolam means unique, although the blend that Khana Bierbood present on their second album is a cross between Thailand and...
Reviewed by Keith Howard in issue: December/2024
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