Reviews
Birds Requiem
Just how many jazz oud recordings does the world really need? While there certainly is a shared tradition of improvisation...
Reviewed by Bill Badley in issue: March/2014
Varokaa! Hengenvaara
Suistamon Sähkö exist in their own colourful world and, every so often, I’m glad to say, they let us in....
Reviewed by Fiona Talkington in issue: October/2021
Tree Dimensional Tunes
Former Finnish ballet dancer Maarika Autio went to West Africa to study kora and the diatonic balafon, which is rarely...
Reviewed by Wif Stenger in issue: October/2021
Warsaw's Jewish Mermaid: Syrena Recordings from the Orvomaa Archive 1909-1933
Renair Records are unearthing rare sources of Jewish music from hidden archives. Chekhov's Band, the last album, reviewed in #114,...
Reviewed by Simon Broughton in issue: Aug/Sep/2018
Weight of the World
There's a lot to like about this adventurous duet album by Rachel Baiman and Christian Sedelmyer. The former is a...
Reviewed by Doug Deloach in issue: Jan/Feb/2016
A Gypsy Journey Part II: El Refugio
Mexico City-born El Javi humbly styles himself ‘The King of Rock Flamenco.’ The follow-up to an earlier EP called The...
Reviewed by Chris Moss in issue: October/2018
Aynama-Rtama
This is a groundbreaking recording. We’re well used to hearing fusions of Arab and Western popular music as pretty one-sided...
Reviewed by Bill Badley in issue: October/2015
Day is Come
The self-titled first album by the trio of Nuala Kennedy (flute and whistle), John Doyle (guitar, bodhrán, keyboards), and Eamon...
Reviewed by Kevin Bourke in issue: May/2022
Pools of Light
It's immediately apparent that Jessica Moss, former violinist of art-rock indie band Thee Silver Mt Zion Memorial Orchestra, knows her...
Reviewed by Matt Milton in issue: July/2017
Castellum Honesti
Castellum Honesti was originally recorded in Dublin and released in 1989. The fact that a band from Galicia should end...
Reviewed by GonÇalo Frota in issue: October/2014
