Reviews
Ya Tengo lo Que Queria!
Ya Tengo lo Que Quería! doesn’t sound like an album made in London. In that sense it’s great evidence of...
Reviewed by Russ Slater in issue: July/2013
Moondog: New Sound
Moondog (Louis Thomas Hardin) was an eccentric American composer whose music straddled baroque classical and Native American tribalism. He received...
Reviewed by Martin Sinnock in issue: June/2018
Strings That Sing
This is Baobab-Gateway's debut album, featuring a unique combination of traditional West African, Ugandan and modern instruments. Tanzanian-born Dougie Hudson...
Reviewed by Louise Ungless in issue: Apr/May/2012
Go Calypsonian
This selection from the ever ebullient Lord Mouse follows 2010's eponymous debut. The purpose remains unaltered: electric and eclectic calypso...
Reviewed by Charles De Ledesma in issue: Aug/Sept/2013
Music is My Home: Act 1
Raphaël Imbert is a French saxophonist who has undertaken several journeys into the Deep South of the US to experience...
Reviewed by Garth Cartwright in issue: May/2016
Dudu Phukwana and the Spears
Now this truly is a musical treasure to stumble upon: back in 1969 the noted producer Joe Boyd had befriended...
Reviewed by Garth Cartwright in issue: October/2020
The Lusafrica Years
Orquesta Aragón is at heart a charanga orchestra, a fluid blend of woodwind, brass and strings with flute and violins...
Reviewed by Jan Fairley in issue: Jan/Feb/2010
Otra Mirada: Tangos de Cámara
When Astor Piazzolla dragged tango, sitting (he didn't want any of that silly kicking) and screaming, into the concert space,...
Reviewed by Chris Moss in issue: July/2019
Metal Metal
Who knows if it was anarchic perverseness, artistic vision, or a bit of both that prompted this formidable São Paulo...
Reviewed by Howard Male in issue: July/2014
