The title of the Swedish label’s latest Brazilian release translates as Big Deal! This self-effacing singer-songwriter has waited till age...
Reviewed by Mark Sampson in issue: January/February/2024
This is the third album from the Sydney-based trio. Śaranam means ‘to take refuge’ in Sanskrit and this is an...
Reviewed by Alexandra Petropoulos in issue: January/February/2024
‘A soundtrack to my mind, with some wicked bass lines,’ is how Don Letts describes his debut album, recorded at...
Reviewed by Robin Denselow in issue: January/February/2024
The zither-like kantele has its roots deep in Finnish history and Venäläinen, on her debut album, embraces its beauty and...
Reviewed by Fiona Talkington in issue: January/February/2024
Lullabies – cradle songs – a term derived from the middle English ‘lullen’ (lull) and ‘bye’ (near), and, much further...
Reviewed by Tim Cumming in issue: January/February/2024
The brainchild of producer duo Koen De Petter & Renaldo Maria, Up High Collective have existed in various forms and...
Reviewed by Olivia Cheves in issue: January/February/2024
If Rapasa Nyatrapasa Otieno’s KWEChE was something of a disappointment in 2021, Jopango proves much more coherent and satisfying. To...
Reviewed by Michael Quinn in issue: January/February/2024
Since their widely acclaimed 2018 album Seven Sisters, which celebrated the cultural roots of the band, Don Kipper have been...
Reviewed by Buzz Bury in issue: January/February/2024
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