Chiefly now remembered – if at all – for his 1930s work with Tommy Johnson, here Roosevelt Holts proves himself...
Reviewed by Paul Slade in issue: April/2026
It seems that these days (to me, at least) you can hardly scroll for five minutes through TikTok or Facebook...
Reviewed by Doug Deloach in issue: April/2026
Over some 32 years and 17 albums, this 12-piece globe-trotting Puerto Rican outfit has built a formidable live reputation, delivering...
Reviewed by Mark Sampson in issue: April/2026
Here’s the sixth studio LP by Istanbul Sessions, the collective assembled by Turkish tenor saxophonist and Nublu empire-founder Ilhan Ersahin....
Reviewed by Martin Longley in issue: April/2026
Nalbandian the Ethiopian & Either/Orchestra
Boston’s Either/Orchestra featured on Ethiopiques 20 in a live recording made in Addis in 2004 and resurface here with a...
Reviewed by Nigel Williamson in issue: April/2026
A road-trip through Appalachia in 2012 cemented the musical relationship between three Norwegian students just out of the Trondheim Jazz...
Reviewed by Fiona Talkington in issue: April/2026
The best reeds for the duduk, an Armenian woodwind instrument and a symbol of Armenian culture, are made from cane...
Reviewed by Michał Wieczorek in issue: April/2026
Currently based in Estonia, British guitarist and ethnomusicologist Stuart Ironside is a graduate of SOAS who blends his classical technique...
Reviewed by Charlie Cawood in issue: April/2026
A second lost album of jazz fusion recorded during the military dictatorship by the ever-influential Grupo Um. Expanding from a...
Reviewed by Andy Cumming in issue: April/2026
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