Reviews
The Unquiet
This new solo album from vocalist Pauline Scanlon offers striking, singularly personal interpretations of ten traditional songs that range from...
Reviewed by Peter Quinn in issue: July/2022
Pastourelle
Montréal percussionist Daniel Bellegarde’s second solo album continues his fascination with the music of Haiti and the French West Indies,...
Reviewed by Martin Longley in issue: July/2022
Les Racines
As the son of one of the world’s greatest ever musicians, it’s understandable that Vieux Farka Touré has spent his...
Reviewed by Jim Hickson in issue: July/2022
Sing It for a Lifetime
Heidi Talbot’s latest album is borne from separation and adversity – recorded in a home in the process of being...
Reviewed by Tim Cumming in issue: July/2022
Color de Trópico Vol 3
Another varied collection from 1960s and 70s Venezuela courtesy of the duo El Drágon Criollo and his partner El Palmas,...
Reviewed by Philip Sweeney in issue: July/2022
Nagori
For their fifth full album, the four ‘sons of a Gypsy French poodle’ (as their name translates, roughly) have expanded...
Reviewed by Mark Sampson in issue: July/2022
Sultan
Alune Wade & Harold López-Nussa | Alune Wade
Since beginning his career in Ismaël Lô’s band more than 20 years ago, the Dakar-born, Paris-based singer and bassist Alune...
Reviewed by Nigel Williamson in issue: June/2022
Luuma
Sahad & the Nataal Patchwork | Sahad
Five years after his self-assured debut album (reviewed in July 2017, #129), Senegalese singer Sahad Sarr returns with a hybrid...
Reviewed by Daniel Brown in issue: June/2022
Issiktane
Sidi Abdallah’s name may be new but devotees of Touareg guitar music will be more than familiar with his father,...
Reviewed by Nigel Williamson in issue: June/2022
