With Spanish guitars having been well established in the Hawaiian islands since the mid-1800s, local 16-year-old guitarist Joseph Kekuku is...
Reviewed by Seth Jordan in issue: October/2022
Five years after stars young and old assembled under the aegis of Australian dancehall producer Jake Dominic ‘Mista’ Savona for...
Reviewed by Mark Sampson in issue: October/2022
As you might guess, this album is the sequel to the first collaboration between Moroccan Gnawa musician Harnoune and German...
Reviewed by Jim Hickson in issue: October/2022
Glenn Keiles is an established composer and producer who first opened a studio in Brixton, London in 1982, spending the...
Reviewed by Diane Coetzer in issue: October/2022
For her sixth album. Spanish performer, composer and music producer Ana Alcaide offers what she describes as a ‘hymn to...
Reviewed by Chris Moss in issue: October/2022
Birdsong features on a range of recent folk-inflected albums – our avian friends are the exotic new back-ups (although solo...
Reviewed by Tim Cumming in issue: October/2022
A project three years in the making, Shruti Dances is the debut collaborative release from star Indian percussionist Sarathy Korwar...
Reviewed by Olivia Cheves in issue: October/2022
This is the second solo album from Monsieur Doumani’s Antonis Antoniou, and like the previous Kkismettin it’s a corker. It...
Reviewed by Maria Lord in issue: October/2022
Super Parquet command the confluence of Auvergnat folk, art and club music, creating their own unique sound flow. This follow-up...
Reviewed by Jim Hickson in issue: October/2022
The fourth album by Brazilian singer-songwriter Maria Rita Stumpf, Ver Tente, brings together her four decades of musical output. After...
Reviewed by Huw Hennessy in issue: October/2022
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