Reviews
Bahía
Ana Carla Maza is a virtuoso Cuban composer, cellist and singer. Her latest album, Bahía, takes you on a spellbinding...
Reviewed by Dan Hobson in issue: April/2022
Whistle Walks
Liverpool-born to Irish parents, whistle player Terry Clarke-Coyne spent the pandemic recording more than 150 virtual duets for YouTube with...
Reviewed by Michael Quinn in issue: April/2022
Coup of Gods
Yet again risking imprisonment in his native Iran for releasing this album, Mehdi Rajabian’s latest effort showcases Persian tonalities, a...
Reviewed by Tom Newell in issue: April/2022
Hard Times Never Kill
In much the same way as the late guitarist Ronnie Moipolai from Botswana, the blind guitarist and singer Daniel Gonora...
Reviewed by Martin Sinnock in issue: April/2022
Djawla
Anouar Kaddour Cherif is a new face on the scene, at least around European parts. Three years ago, at the...
Reviewed by Martin Longley in issue: April/2022
Las Historias Que Han Dejado
Latin America’s folk fusion traditions share common roots in Spain, West Africa, Poland, France and other Old World cultures, often...
Reviewed by Chris Moss in issue: April/2022
El Amor No es Para Débiles
Peru’s Bareto have responded to the departure of their lead singer Mauricio Mesones by recruiting a number of guest vocalists...
Reviewed by Russ Slater in issue: April/2022
Dark Carnival
Kate Green is gifted with a fine voice; she uses it with feeling and precision, which makes her a terrific...
Reviewed by Julian May in issue: April/2022
Ħadãeq
Formed in Belgium in 2010 Mólo Sâyat began life as a jam band, playing versions of the Mediterranean songs that...
Reviewed by Paul Bowler in issue: April/2022
