Reviews
Welcome to New Hoyle
New Hoyle is a figment of Brad Fielder’s musical imagination. Inspired by a tiny, no-longer-extant town in north-west Oklahoma where...
Reviewed by Doug Deloach in issue: March/2022
PAN Project
Taking their name from the Korean music-storytelling tradition pansori – meaning ‘to gather’ or ‘come together’ – PAN Project is a...
Reviewed by Charlie Cawood in issue: March/2022
IRE
These four Colombians who met, and started making music together, in New York, have crafted their own slightly-rock, slightly-psych and...
Reviewed by Russ Slater in issue: March/2022
Sita
A formidable talent, an enfant prodige of the Salento music scene, Alessia Tondo, the female voice of the marvellous Canzoniere...
Reviewed by Ciro De Rosa in issue: March/2022
Golden Shore
Scottish duo The Daughters found the lockdown gave them the time to write, and an opportunity to take stock of...
Reviewed by Julian May in issue: March/2022
Wutiko
Heard on our recent Global Sounds From Québec CD (November 2021, #172), this is Élage’s third album since he moved...
Reviewed by Nigel Williamson in issue: March/2022
Doroja
Santiago Córdoba & The Bauls of Bengal
One of the most striking things about Baul music – a form of folk music from Bengal, South Asia – is its...
Reviewed by Shaswata Kundu Chaudhuri in issue: March/2022
Tango Macondo
Despite its name, Tango Macondo is not a tango record. It’s a soundscape of real and imaginary lands, born out...
Reviewed by Megan Iacobini de fazio in issue: March/2022
BAMANAN
On the surface of it, Irish-born, US-based stadium rock producer Jacknife Lee seems an improbable choice to helm the debut...
Reviewed by Nigel Williamson in issue: March/2022
