Reviews
It’s a Good, Good Thing: The Latin Soul of Fania Records
Fania Records was started by Dominican musician Johnny Pacheco in 1964 with the idea of getting Latin recordings made by...
Reviewed by Garth Cartwright in issue: March/2022
Delta Estácio Blues
Best known as Metá Metá’s vocalist, Marçal spent four years making this album, a lengthy process in which co-producer Kiko Dinucci...
Reviewed by Russ Slater in issue: March/2022
The Lost Tapes
The Lost Tapes is the fourth album from the Owiny Sigoma Band and sadly it celebrates the end of the...
Reviewed by Max Reinhardt in issue: March/2022
Chinook Waltz
When you click the ‘Music’ tab on Over the Moon’s website, the introductory note says, ‘With this album, we tried...
Reviewed by Doug Deloach in issue: March/2022
Our Island
When the debut Small Island Big Song album was released in 2018, it was rightly hailed as a mini masterpiece....
Reviewed by Seth Jordan in issue: March/2022
Unite
Some folks follow in the footsteps of Fela, others follow Femi… This ten-piece Afrobeat band from Spain seem to opt...
Reviewed by Mark Sampson in issue: March/2022
Treacle & Bread
On the sleeve of this marvellous album there’s a picture of Rod Stradling playing his melodeon and beaming. He’s smiling...
Reviewed by Julian May in issue: March/2022
Valge Valgus
Flanders-born accordionist Hartwin Dhoore has been intimately involved with some of the most innovative and entertaining traditional-inspired music to emerge...
Reviewed by Kevin Bourke in issue: March/2022
Brave Land
Winnipeg native Raine Hamilton’s third album is an enthusiastic fusion of chamber string music and fairly typical folk singer-songwriter structures....
Reviewed by Glenn Kimpton in issue: March/2022
A la Manera Artesana
Spanish folk has a quality perfect for our times: the ability to wail, complain and lament and, at the same...
Reviewed by Chris Moss in issue: March/2022
