Reviews
The Lost Tapes
The Lost Tapes is the fourth album from the Owiny Sigoma Band and sadly it celebrates the end of the...
Reviewed by Max Reinhardt in issue: March/2022
Chinook Waltz
When you click the ‘Music’ tab on Over the Moon’s website, the introductory note says, ‘With this album, we tried...
Reviewed by Doug Deloach in issue: March/2022
Our Island
When the debut Small Island Big Song album was released in 2018, it was rightly hailed as a mini masterpiece....
Reviewed by Seth Jordan in issue: March/2022
Unite
Some folks follow in the footsteps of Fela, others follow Femi… This ten-piece Afrobeat band from Spain seem to opt...
Reviewed by Mark Sampson in issue: March/2022
Treacle & Bread
On the sleeve of this marvellous album there’s a picture of Rod Stradling playing his melodeon and beaming. He’s smiling...
Reviewed by Julian May in issue: March/2022
Valge Valgus
Flanders-born accordionist Hartwin Dhoore has been intimately involved with some of the most innovative and entertaining traditional-inspired music to emerge...
Reviewed by Kevin Bourke in issue: March/2022
Brave Land
Winnipeg native Raine Hamilton’s third album is an enthusiastic fusion of chamber string music and fairly typical folk singer-songwriter structures....
Reviewed by Glenn Kimpton in issue: March/2022
A la Manera Artesana
Spanish folk has a quality perfect for our times: the ability to wail, complain and lament and, at the same...
Reviewed by Chris Moss in issue: March/2022
Frank Y Sus Inquietos
In the clubs of Caracas in the late 1960s, salsa was going off. Or more specifically, a sound that mixed...
Reviewed by Jane Cornwell in issue: March/2022
Zār Songs for the Spirits
Zār is a rite that arrived in Egypt with migration – partly due to slavery – from sub-Saharan East Africa....
Reviewed by Neil van der Linden in issue: March/2022
