Reviews
The Lucky Ones
Hailing from the Yukon Territory in the far north of Canada, The Lucky Ones took their name from Alistair MacLeod's...
Reviewed by Doug Deloach in issue: November/2021
My Bluegrass Heart
Bela Fleck's paean to the genre in which the banjoist established himself as a virtuosic instrumentalist and innovative composer is...
Reviewed by Doug Deloach in issue: November/2021
Chimney Swifts
Brad Kolodner's solo debut album, Chimney Swifts, is a splendid introduction to contemporary clawhammer banjo music. Kolodner's playing and choice...
Reviewed by Doug Deloach in issue: November/2021
Blessed Sadness
Antoni O'Breskey has long been a prolific, border-denying, genre-splicing presence in his adopted Ireland. Italian-born with Argentinian roots, his musical...
Reviewed by Michael Quinn in issue: November/2021
Voices from the Empty Moor (Songs of Anne Briggs)
Imagine ‘She Moved Through the Fair’ given voice through bowed solo bass, its opening notes rumbling like the subterranean calls...
Reviewed by Tim Cumming in issue: November/2021
ID
The album cover says it all: a picture of the globe, the various continents composed of heads of human beings...
Reviewed by Robert Rigney in issue: November/2021
The Importance of Being Espetacular
Thiago França Presents A Espetacular Charanga Do França
The avant-garde saxophonist, samba revivalist and Metá Metá co-founder Thiago França has been running the Carnaval charanga band A Espetacular...
Reviewed by David Katz in issue: November/2021
Hand to Earth
Australian Art Orchestra, Daniel Wilfred, David Wilfred, Sunny Kim, Peter Knight & Aviva Endean
A collaboration initiated by the Melbourne-based Australian Art Orchestra, Hand to Earth is an adventurously creative project. The Australian Art...
Reviewed by Seth Jordan in issue: November/2021
