Reviews
A Drop for Neptune
A Drop for Neptune marks the debut album for Glasgow based six-piece TRIP, and it’s an album steeped in the...
Reviewed by Billy Rough in issue: April/2022
Zay Freylekh!
The Russian klezmer band Dobranotch (Goodnight) are like a retro homage to the larger bands of the American klezmer revival...
Reviewed by Simon Broughton in issue: April/2022
Cornershop and the Double ‘O’ Groove Of
Originally issued only on CD in 2011, Cornershop and the Double ‘O’ Groove Of is something of a ‘lost classic’...
Reviewed by Garth Cartwright in issue: April/2022
Odyssee: A Journey Into the Light
Since their conception in 1996, this German outfit has toured the globe, released a raft of albums and scooped countless...
Reviewed by Mark Sampson in issue: April/2022
Lanmou Lanmou
Dowdelin (a play on the word ‘dawdling’) are a four-piece band based in Lyon, France, whose name is a bit...
Reviewed by Lucy Hallam in issue: April/2022
Hour of Solitude
Blue Mantra Rhymes is the brainchild of Ed Cooke, an English ex-pat living and working in Thailand. A number of...
Reviewed by Paul Bowler in issue: April/2022
Ingen Mere Gråter
There’s a subgenre called ‘dream pop’ that covers bands from Cocteau Twins to Beach House. Ævestaden’s music could be described as...
Reviewed by Tony Gillam in issue: April/2022
Rivers from Ogun
The French-Swiss quartet of organist Cédric Schaerer, drummer Hadrien Santos Da Silva, tenor sax player Arthur Donnot and guitarist Erwan...
Reviewed by Nigel Williamson in issue: April/2022
Abrazo Abierto
This London-based octet, led by violinist Caroline Pearsall, play for TV shows, dance events and workshops. Unsurprisingly perhaps, the group...
Reviewed by Chris Moss in issue: April/2022
