Reviews
When the Sun Goes In
After touring extensively for 12 years with the band Maia, Robinson has recently preferred to explore the more traditional roots...
Reviewed by Kevin Bourke in issue: March/2021
Territoire
Among a host of other influences there are strong Balkan flavours on this release from acclaimed Canadian violinist Briga, who...
Reviewed by Simon Cross in issue: March/2021
Jaime & Nair
Arranger, composer and multi-instrumentalist Jaime Alem and his wife Nair de Cândia's 1979 touchstone ‘Passará’ remains perhaps one of the...
Reviewed by Brendon Griffin in issue: March/2021
Klezmer from the New World
This is a clarinet and accordion duo, Susi Evans being one of the best klezmer clarinettists of our day, playing...
Reviewed by Simon Broughton in issue: March/2021
Kukaya Bili
An exceptional recording of traditional ‘trance’ music in the northern Malawi vimbuza style. The seven tracks are examples of healing...
Reviewed by Martin Sinnock in issue: March/2021
The Gold Diggers
The 11-strong Lengaïa are a salsa juggernaut, a heavyweight Latin orchestra whose distinctive vocals and signature horn heft – three...
Reviewed by Jane Cornwell in issue: March/2021
Barretto-Power
The late great conguero, vocalist and bandleader Ray Barretto was the first US-born percussionist to bring the African-based conga drum...
Reviewed by Jane Cornwell in issue: March/2021
Still Time
Karen Matheson returns after five years to prove she still deserves her place among Scottish Folk Royalty – along, of...
Reviewed by Robin Denselow in issue: March/2021
The Rough Guide to Cape Jazz
The term ‘Cape jazz’ was apparently first used as recently as 1993 as the title of a compilation album on...
Reviewed by Nigel Williamson in issue: March/2021
Saturday Morning in Boston
The fluidity, sonic beauty and musical interplay exhibited on this record leaves little to suggest that this album was recorded...
Reviewed by Douglas Macgregor in issue: March/2021
