The 2017 debut by the young, dreadlocked South African jazz guitarist and singer Sibusile Xaba, Unlearning/Open Letter to Adoniah, received...
Reviewed by Nigel Williamson in issue: May/2020
The future of Balkan brass seems secure in the fast fingers of Macedonian trumpeter Džambo Aguševi and his orchestra who...
Reviewed by Simon Cross in issue: May/2020
Aly Keïta, Jan Galega Brönnimann, Lucas Niggli
When this trio's first release, Kalo-Yele (reviewed in #117), came out in 2016 it promised much but delivered rather less....
Reviewed by Mark Sampson in issue: May/2020
This is a lavish four-CD set of fi eld recordings made by Michael Baird between 1996 and 2016. Baird has...
Reviewed by Martin Sinnock in issue: May/2020
This double CD features the only surviving clear recordings of one of the most important Balinese musicians of modern times,...
Reviewed by James Catchpole in issue: May/2020
Volume two of Strut's exploration of Disque Debs International recordings - the longest-running and most prolific label of the French...
Reviewed by Garth Cartwright in issue: May/2020
In 2001 Ulf Lindemann (aka Dunkelbunt) moved from Hamburg to Vienna. That was his first journey eastward - his first...
Reviewed by Robert Rigney in issue: May/2020
I first heard Antti Paalanen when he released Breathbox (2010). In the audience was Kimmo Pohjonen who'd had such strong...
Reviewed by Fiona Talkington in issue: May/2020
Following on the heels of its Psychedelic Anadolu selection from 2017, legendary Turkish label Uzelli has come out with a...
Reviewed by Robert Rigney in issue: May/2020
So many non-Spanish guitarists have fallen under the spell of flamenco that it might almost be considered a sub-genre of...
Reviewed by Jo Setters in issue: May/2020
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