As the music of gambling dens, bordellos, barrelhouses and anywhere else vice was to be found, the blues swiftly earned...
Reviewed by Nigel Williamson in issue: October/2020
Famous Fados is the latest instalment in a series of discs showcasing Custódio Castelo’s talent as a solo artist (his...
Reviewed by Michael Macaroon in issue: October/2020
Kevin Henderson & Neil Pearlman
Burden Lake is the debut collaboration between Scotland’s Kevin Henderson on fiddle and American Neil Pearlman on piano, a beautiful...
Reviewed by Billy Rough in issue: October/2020
James Ssewakiryanga Jr is a multi-instrumentalist from Kampala who performs as Ssewa Ssewa. His principal instrument is the janzi, which...
Reviewed by Martin Sinnock in issue: October/2020
In the early days of popular recording, blues and gospel marched hand in hand – God’s music and the devil’s...
Reviewed by Nigel Williamson in issue: October/2020
Although a long time resident of the US, David Broza’s background is from the UK, Spain and Israel, where he...
Reviewed by Jo Setters in issue: October/2020
About this album, Dandana say ‘the old system can’t easily deal with young or new ideas.’ In a time where...
Reviewed by Jim Hickson in issue: October/2020
Indigenous singer-songwriter Dave Arden is a gifted Kokatha-Gunditjmara guitarist, storyteller and contemporary songman. Previously best known as a collaborator and...
Reviewed by Seth Jordan in issue: October/2020
Known for their close harmonies and full-throated performances, sisters Vika and Linda Bull first burst onto the Australian music scene...
Reviewed by Seth Jordan in issue: October/2020
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