Since the Silkroad Ensemble was established by Yo-Yo Ma 20 years ago, its ever- shifting ensemble have created a global...
Reviewed by Nigel Williamson in issue: January/2021
Kris Drever’s solo albums don’t come that often – 2010’s Mark the Hard Earth was followed six years later by...
Reviewed by Tim Cumming in issue: January/2021
The instrument known as the marovany is a Malagasy zither – a hollow, wooden, rectangular-shaped box with 12 metal strings...
Reviewed by Martin Sinnock in issue: January/2021
A collaboration that pairs various traditional Maori instruments (ngā taonga pūoro) with percussion, Rangatira brings together two respected New Zealand...
Reviewed by Seth Jordan in issue: January/2021
Originally a piper, on this, the sequel to his 2017 album, Sanctuary, the Treacherous Orchestra’s Ross Ainslie again flexes his...
Reviewed by Rob Adams in issue: January/2021
Singer Djely Tapa is the daughter of the great Malian diva Kandia Kouyaté, aka La Grande Vedette Malienne, arguably one...
Reviewed by Jane Cornwell in issue: January/2021
US producer Bosq has been making tropical bass since the early 2010s, regularly working with musicians from Africa and the...
Reviewed by Russ Slater in issue: January/2021
The Argentinian bandoneón maestro Dino Saluzzi is a rara avis. He doesn’t play the nostalgic tango-covers card. Nor, despite hailing...
Reviewed by Chris Moss in issue: January/2021
Listening to the third solo album from composer and guitarist Richard Durrant invites in a gentle English pastoral scene. Tours...
Reviewed by Douglas Macgregor in issue: January/2021
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