The international hype around Peruvian cumbia over the past ten years has resulted in many reissues and chicha bands cropping...
Reviewed by Russ Slater in issue: December/2019
Llio Rhydderch was moved to arrange ‘Anhawdd Ymadael’, the penultimate tune of this very beautiful album, because the elegy ‘Marwnad...
Reviewed by Julian May in issue: December/2019
Ballaké Sissoko & Baba Sissoko
Back in the day, Djelimady Sissoko and Madou Sissoko were stalwarts of the National Orchestra of Mali. Eventually their sons,...
Reviewed by Nigel Williamson in issue: December/2019
Daniel Murray, a highly regarded Brazilian guitarist, has here put together a well-balanced tribute to the legendary Egberto Gismonti –...
Reviewed by Charlotte Algar in issue: December/2019
Knowing nothing about this seven-piece, save that it hailed from Hungary and appeared to have a religious bent, on first...
Reviewed by Kim Burton in issue: December/2019
Mísia was integral to the new wave of fadistas in the 1990s, helping to revitalise the genre with new influences,...
Reviewed by Michael Macaroon in issue: December/2019
In the 1920s and early 30s the term ‘country music’ had yet to be invented, so any description applied to...
Reviewed by Kevin Bourke in issue: December/2019
Hungarian Gypsy band Parno Graszt hail from the village of Paszab in the north-east of the country. Led by tambura...
Reviewed by Simon Broughton in issue: December/2019
A reinvigorated Steeleye Span set their stall against an illustrious past with Est'd 1969 and it's up there with the...
Reviewed by Tim Cumming in issue: December/2019
This album is the latest Thai release from Japan's EM Records and marks a departure from previous reissues of Thai...
Reviewed by John Clewley in issue: December/2019
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