Reviews
J’ai Traversé La Mer
Apparently involved in the avant-garde scene, Edmony Krater brings none of that malarkey here, as he subjects his Guadeloupean heritage...
Reviewed by Martin Longley in issue: December/2020
The Harry Smith B-Sides
Harry Smith’s legendary six-LP series, Anthology of American Folk Music, surely stands as the most influential collection of early 20th...
Reviewed by Nigel Williamson in issue: December/2020
Azymuth JID004
Revered Brazilian jazz-funk trio Azymuth continue to amaze, as much for their longevity (they came together in 1972) and productivity...
Reviewed by Jane Cornwell in issue: December/2020
DJ Click y Colelo Identidad Mapuche
The Mapuche are the sole surviving indigenous community in the Southern Cone. Settled mainly in the temperate Andean regions of...
Reviewed by Chris Moss in issue: December/2020
Lo Bueno Está Aquí
Paulo Olarte and Sebastian Hoyos, the two Colombian expats who make up Contento, like to call their music ‘salsapunk.’ At...
Reviewed by Chris Moss in issue: December/2020
Eyes Rest Their Feet
This playful and alluring release from Thaba draws on a diverse array of influences: from the South African popular dance...
Reviewed by Alex De Lacey in issue: December/2020
Gael Vision
Violinist Joe O’Donnell was a force to be reckoned with in the Irish music scene of the 1970s, colliding traditional...
Reviewed by Michael Quinn in issue: December/2020
After a Thousand Years
Two years ago, Brooklyn-born musician producer Jneiro Jarel had virtually completed this album, while he was living in Costa Rica....
Reviewed by Max Reinhardt in issue: December/2020
