Like a backfiring, smoke-belching, fluid-dripping jalopy from a bygone era, The Dead South pop, chuff and wheeze their way across...
Reviewed by Doug Deloach in issue: May/2018
Alongside Nonesuch's Explorer series, Ocora is perhaps the most important mother lode of authentic 20th-century field recordings of world music....
Reviewed by Nigel Williamson in issue: May/2018
Around the same time as Seun Kuti's excellent new album Black Times, elder brother Femi has also returned to the...
Reviewed by Nigel Williamson in issue: May/2018
Describing herself as ‘a harper, composer and sound artist,’ Úna Monaghan holds a degree in astrophysics from Cambridge University and...
Reviewed by Michael Quinn in issue: May/2018
This is another great disc, possibly their best yet, from the Cypriot trio Monsieur Doumani. They push the musical boat...
Reviewed by Maria Lord in issue: May/2018
Zanmari Baré is an exceptionally talented musician. He sings in Creole, with a high, yearning voice that is a little...
Reviewed by Garth Cartwright in issue: May/2018
After a trio of exquisitely textured all-acoustic albums for the Chicago-based indie label Thrill Jockey, the 59-year-old Malian singer and...
Reviewed by Nigel Williamson in issue: May/2018
This re-release of archive recordings is a welcome addition to the many Tibetan musical releases recorded in exile since the...
Reviewed by Michael Ormiston in issue: May/2018
Disregard the rather bland title: this album is a luminous jewel. It's an uncommon mixture, to say the least, based...
Reviewed by Jo Setters in issue: May/2018
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