Reviews
Kamalamba
Raphaëlle Brochet & Philippe Aerts
Stripping back an arrangement to just bass and voice can make for a spellbinding moment of intimacy. Kamalamba is an...
Reviewed by Liam Izod in issue: March/2018
Shakespeare Songs
Opening with an a capella version of the witches’ curses, spells and premonitions from the murky first scene of Macbeth...
Reviewed by Tim Cumming in issue: March/2018
Bákini: En el Nuevo Mundo
Bákini is not just the name of this album, it is a project led by musicians and educators Michael Spiro...
Reviewed by Chris Moss in issue: March/2018
Birl-esque
Birl – meaning to dance or, in relation to the fiddle, a rapid percussive shivering of the bow – is...
Reviewed by Billy Rough in issue: March/2018
Onwards
Formed in 2014, Mile Twelve are largely the product of the interest in bluegrass and other acoustic folk idioms within...
Reviewed by Doug Deloach in issue: March/2018
Tur Kur Mīti
Latvian post-folk group Iļg‘i have been around for over three decades, tracing their heritage back to the folk-oriented musicological researches...
Reviewed by Kim Burton in issue: March/2018
Fifteen
For their first new album in six years, The Wailin’ Jennys celebrate a 15-year-long relationship with a nine-track collection of...
Reviewed by Doug Deloach in issue: March/2018
The Black Orchid String Band
The tragedy of West Papua and its peoples’ hopes for eventual independence is an ongoing daily struggle for the native...
Reviewed by Seth Jordan in issue: March/2018
The Poacher's Fate
It's always refreshing to hear music that has nothing to hide behind. The London-based folk duo of Laura Smyth &...
Reviewed by Matt Milton in issue: Jan/Feb/2018
