Reviews
Vamo a Gozá
Supported by the Grammy Foundation, Irka Mateo travelled around the Dominican Republic documenting genres, even bringing one, comarca, to the...
Reviewed by Chris Moss in issue: May/2018
Live at the NCH
Dublin's National Concert Hall has become a home from home for The Gloaming – they spent seven nights there in...
Reviewed by Tim Cumming in issue: May/2018
Some Other Land
Perhaps best known for his work as fiddler for The Treacherous Orchestra, Session A9 and Peatbog Faeries, Adam Sutherland is...
Reviewed by Billy Rough in issue: May/2018
The Ox and the Ax
It's the little things that count. At first, you might think there's not much to the music of this highly...
Reviewed by Matt Milton in issue: May/2018
Radyo Siwèl
This fresh, intriguing and unexpected set comes from a Haitian singersongwriter who had been away from the island for 20...
Reviewed by Robin Denselow in issue: May/2018
Sones Jarochos y Huastecos y Más
Everybody knows at least one son jarocho, even if they don’t realise it, and chances are they heard it while...
Reviewed by Chris Moss in issue: May/2018
An Introduction to the Watersons/Waterson:Carthy
Now this must have been quite a job, albeit a highly rewarding and enjoyable one: concertina-ing the recordings of The...
Reviewed by Tim Cumming in issue: May/2018
Cosmic Language
The fusion of jazz and Indian classical music has become so commonplace as to be almost passé, but saxophonist Nat...
Reviewed by Liam Izod in issue: May/2018
Yarrow Acoustic Sessions
Lori Watson grew up in the Scottish Borders, an area where there seems to be a ballad around every bend...
Reviewed by Rob Adams in issue: May/2018
