Reviews
Selo Na Okuke / Village Tracks
The band name (pronounced Kree-ess) means ‘Bonfire’ in old Croatian dialect, but Kries certainly aren't incinerating the old folk songbooks....
Reviewed by Martin Longley in issue: Jan/Feb/2018
Live at Ronnie Scott's
One of the most compelling aspects of Nitin Sawhney's work is its conceptual nature. More off en than not, his...
Reviewed by Nigel Williamson in issue: Jan/Feb/2018
Groovy Guzheng
The fluttering tones of the guzheng (Chinese zither) will be recognised as every lazy soundtrack composer's go-to sound for an...
Reviewed by Liam Izod in issue: Jan/Feb/2018
BEA
BEA is one of those rare studio albums that makes the listener feel as if they're actually present at a...
Reviewed by Tom Newell in issue: Jan/Feb/2018
Remixes 2008-2017
Daniel Haaksman has been a vital figure in the creation and development of ‘tropical’ or ‘global bass’ music for the...
Reviewed by Jordan Barnes in issue: Jan/Feb/2018
Queens of Fado: The Next Generation
Not that long ago, no youngster in their right mind would confess to liking fado in Portugal. In the years...
Reviewed by GonÇalo Frota in issue: Jan/Feb/2018
Balkantron
Many casual listeners today tend to think any music from Eastern Europe is Balkan – which sees even Gogol Bordello...
Reviewed by Garth Cartwright in issue: Jan/Feb/2018
Sixty/Black to the Future/Notes of Life
With Masekela's live dates cancelled while he recovers from prostate cancer, this budget-price reissue of a trio of classic albums...
Reviewed by Nigel Williamson in issue: Jan/Feb/2018
A Burdensome Year
Sometimes on this Yorkshireman's second album, Pike's downbeat vocal with guitar and strings can feel over-familiar, as can some lyrics:...
Reviewed by Glenn Kimpton in issue: Jan/Feb/2018
