The title might suggest another nostalgic ‘golden era’ compilation of township jive, kwela and marabi, built around the old favourites...
Reviewed by Nigel Williamson in issue: June/2016
The River is Napier's first solo album, and a rather intriguing and exciting one it is too. Napier is a...
Reviewed by Billy Rough in issue: June/2016
One cannot help but be transported to the rolling hills of Zululand when listening to the Afrika Mamas’ latest, self-titled...
Reviewed by Franki Black in issue: June/2016
Following Frémeaux's 2013 two-CD compilation Jamaica Folk Trance Possession, comes this set of mostly field recordings from Haiti. But where...
Reviewed by Charles De Ledesma in issue: June/2016
Parisian producer Xavier Thomas, aka Débruit, burst onto the scene with his debut album From the Horizon in 2012. This...
Reviewed by Alex De Lacey in issue: June/2016
Yann Tambour is a French singer and composer who records under the name Encre and also Stranded Horse. He plays...
Reviewed by Martin Sinnock in issue: June/2016
Edinburgh-based Dallahan follow their promising debut, When the Day is on the Turn, with the no less energetic and enjoyable...
Reviewed by Michael Quinn in issue: June/2016
Khyam Allami's last recording, with his band Alif, featured some of the most innovative oud sounds yet heard. His radical...
Reviewed by Bill Badley in issue: June/2016
The Israel-born self-proclaimed ‘psychedelic folk singer-songwriter’ presents a collection of James Joyce poems about heartbreak, set to original melody and...
Reviewed by Jahnavi Harrison in issue: June/2016
Released to mark the band's tenth anniversary, Paths That Wind is a celebration of The Paul McKenna Band's vibrant history...
Reviewed by Billy Rough in issue: June/2016
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