Reviews
What We Leave Behind
Produced in Nashville by fellow Canadian songwriter and producer Gordie Sampson, the follow-up to the splendid debut album Secret Victory...
Reviewed by Kevin Bourke in issue: November/2017
Tigre
Tigre, Banda Magda's third album (which is subtitled Stories of Courage and Fearlessness) is a polished affair, swathed in lush...
Reviewed by Howard Male in issue: November/2017
Simplify
At a time when technology is turning human beings into human ‘doings’ in a relentless struggle for power and money,...
Reviewed by Leander Hobbs in issue: November/2017
Pretty Peggy
The second album from the Cornish-based singer, Britain's Got Talent finalist and BBC Radio 2 Folk Award winner develops the...
Reviewed by Tim Cumming in issue: November/2017
Dañs!
Take a voice steeped in Breton tradition, team it with two musicians from a younger generation, and have another look...
Reviewed by Andrew Mcgregor in issue: November/2017
Original
Bobby Osborne's latest album is an engaging compendium of tunes by some of Memphis' finest songwriters, from the 86-year-old high-lonesome...
Reviewed by Doug Deloach in issue: November/2017
Songs of Lalon Shah
The Bengali poet Lalon Shah, popularly known as Moner Manush (Man of the Heart), is the most celebrated of the...
Reviewed by Simon Broughton in issue: November/2017
Liquid Love
Onom Agemo & the Disco Jumpers
Any album from a band with a name this bizarre is sure to be eclectic and Liquid Love is just...
Reviewed by Alex De Lacey in issue: November/2017
Frost on Fiddles
One of my enduring WOMAD memories is of a cold, wet, muddy night in 2007 when the seven-piece Finnish band...
Reviewed by Fiona Talkington in issue: November/2017
