The Boxcar Boys aren’t all that they seem. They aren’t all boys, for one thing: two of the sextet are...
Reviewed by Tim Woodall in issue: April/2016
The high-energy high jinks of this group from Bosnia and Herzegovina work a sort of reverse Balkanisation. Which is to...
Reviewed by Jeff Kaliss in issue: April/2016
These are the final releases in the excellent Czech label Indies Scope's survey of Moravian music. While the first four...
Reviewed by Simon Broughton in issue: April/2016
This release comprises three discs, the first two concentrating on the ten years since the Fellside label's previous compilation Landmarks,...
Reviewed by Tim Cumming in issue: April/2016
The jazz-like sinawi is one of the most intriguing genres of Korean music. Originally the instrumental soundtrack to large-scale shamanic...
Reviewed by Keith Howard in issue: March/2016
Mariem Hassan & Vadiya Mint El Hanevi
This is the final album from one of the great voices of the Sahara: Mariem Hassan died in August 2015...
Reviewed by Robin Denselow in issue: March/2016
Born in Latium's historic town of Sora, the Italian-French singer and diatonic accordionist Giuliano Gabriele here presents his second album,...
Reviewed by Ciro De Rosa in issue: March/2016
Although he is best known for his work on some of Indian cinema's most celebrated soundtracks – including AR Rahman's...
Reviewed by Amardeep Dhillon in issue: March/2016
‘The Steam Arm Man’, which opens this new set from the rock’n’ceilidh barnstormers from York, sports a Black Sabbath-style riff...
Reviewed by Tim Cumming in issue: March/2016
I first came across Mamak Khadem when I reviewed her solo album Jostojoo in 2008. A couple of years later,...
Reviewed by Laudan Nooshin in issue: March/2016
Start your journey and discover the very best music from around the world.
Subscribe