Reviews
¡Vamos a Guarachar!
David Byrne injected irony into cumbia. Argentina's shanty-town bands injected sleaze and spunk. Now, Tucson's Orkesta Mendoza have taken Latin...
Reviewed by Chris Moss in issue: Jan/Feb/2017
Stop the Parade
Sophie Solomon stages a tableau of Russian melodrama and sorrow for her welcome return to the studio after seven years....
Reviewed by Tommie Black-Roff in issue: Jan/Feb/2017
The Seas Between Us
Growing up in Perthshire, Sophie Ramsay was immersed in the traditional songs and music of Scotland. Her latest album, consisting...
Reviewed by Billy Rough in issue: Jan/Feb/2017
Lodestar
In 1959 Shirley Collins collected songs with Alan Lomax in the US. But she loved the songs of the English...
Reviewed by Julian May in issue: Jan/Feb/2017
Bobo Yéyé: Belle Epoque in Upper Volta
Archive releases don’t come better than this: 37 tracks chronicling the little-known Burkina Faso scene in the 1970s. Long overshadowed...
Reviewed by Nigel Williamson in issue: Jan/Feb/2017
The Calais Sessions
Various Artists, Featuring the Musicians of the Calais ‘Jungle’
One weekend in September 2015, a group of international musicians based in the UK visited the now-demolished refugee and migrant...
Reviewed by Nigel Williamson in issue: Jan/Feb/2017
Cats, Dogs and Ghosts
Kottarashky is Nikola Gruev, a young Bulgarian composer and producer whose 2009 debut album Opa Hey! demonstrated a fluid,...
Reviewed by Garth Cartwright in issue: Jan/Feb/2017
Planet Lam
Paradise Bangkok Molam International Band
The Paradise Bangkok Molam International Band's second studio album sees the band move on from the rootsy molam music of...
Reviewed by John Clewley in issue: Jan/Feb/2017
Apollo You Sixteen
‘Progressive world music’ is how this Belgium-based 40-year-old autodidact describes his latest album, which fuses flamenco with folk, garage, classical...
Reviewed by Russell Higham in issue: Jan/Feb/2017
