Reviews
Las Formas del Agua
Blanca Altable, a Burgos-born violinist and composer, unveils her talent for conjuring vivid imagery on her second solo album, Las...
Reviewed by Ciro De Rosa in issue: April/2024
Wusul
With his debut solo album, 2021’s Reclusive Rituals, Tel Aviv-based bassist and composer Shay Hazan revealed a simple idea: harnessing...
Reviewed by Daniel Spicer in issue: April/2024
Dieuf-Dieul de Thiès
After an early run of success, Senegalese eight-piece Dieuf-Dieul de Thiès (Give-Receive) split in 1983, four years into their story....
Reviewed by Tim Cumming in issue: April/2024
BKXS
Jan Van Angelopoulos & Fotis Siotas
This is one of the more adventurous albums I’ve come across recently, and one which is based on arguably one...
Reviewed by Maria Lord in issue: April/2024
Mouse
The Schmoozenbergs may sound like a novelty band, but they are a quartet of classy musicians who clearly like to...
Reviewed by Robin Denselow in issue: April/2024
like the sky I’ve been too quiet
Born in New York and raised in Tamil Nadu, ganavya has gradually cultivated a glowing reputation as an interdisciplinary artist,...
Reviewed by Charlie Cawood in issue: April/2024
Ulyap Songs: Beyond Circassian Tradition
Fans of the traditional sounds of the Northern Caucasus will be familiar with the name of Bulat Khalilov and the...
Reviewed by Kim Burton in issue: April/2024
Féile Live
Having caught attention with their Belfast Féile Trad Trail debut in 2022, the John McSherry Trio’s first album confirms the...
Reviewed by Michael Quinn in issue: April/2024
Migration
There is something evangelical about the Okavango African Orchestra. Comprising African-born musicians living in Toronto and Montréal, their persuasive fusing...
Reviewed by Michael Quinn in issue: April/2024
