As amiable and unpretentious as they are hugely talented and entertaining, The Hut People are accordionist Sam Pirt and percussionist...
Reviewed by Kevin Bourke in issue: Jan/Feb/2015
Glitterbeat Records have created an original album that is like an echo of a ‘Best Of’: they have given dub...
Reviewed by Clyde Macfarlane in issue: Jan/Feb/2015
There is a variety of ways of ordering a coffee in Portugal: OqueStrada tells us all about it in ‘Café...
Reviewed by GonÇalo Frota in issue: Jan/Feb/2015
FatDog were born one night in the summer of 2011 on the Swedish Koster Islands, where jazz trio Fattigfolket and...
Reviewed by Kevin Bourke in issue: Jan/Feb/2015
Since its genesis in the 18th century, the flamenco guitar has changed little. Its use, however, has shifted from being...
Reviewed by Chris Moss in issue: Jan/Feb/2015
To appreciate Julian Bahula's contribution to South African music, you don’t need to know that he was a tireless anti-Apartheid...
Reviewed by Mark Sampson in issue: Jan/Feb/2015
It's only natural that for every musical genre there is one voice that stands out and outshines everyone else. If...
Reviewed by GonÇalo Frota in issue: Jan/Feb/2015
The son of a Maori mother and an Irish father, Sydney-based drummer Kelly regularly fronts his own band The Rising...
Reviewed by Seth Jordan in issue: Jan/Feb/2015
The most striking feature of Brownswood's Cuban series has been its focus on unearthing new talents and creating hybrid sounds....
Reviewed by Russ Slater in issue: Jan/Feb/2015
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