Reviews
Operette
Marseille's favourite sons, Moussu T e lei Jovents, finally get round to their town's classic traditions. Marseille's operette music hall...
Reviewed by Philip Sweeney in issue: Nov/Dec/2014
Wouty
On first listen this sounds like a very pleasant, semi-acoustic, low-key, album of relaxed, modern Senegalese music. After several plays,...
Reviewed by Martin Sinnock in issue: Nov/Dec/2014
Mbira Korositina
Chartwell Dutiro & Mike Parnell
Chartwell Dutiro is a well-known mbira (thumb piano) player, a former member of Thomas Mapfumo's group, and a teacher of...
Reviewed by Martin Sinnock in issue: Nov/Dec/2014
Griot Classique
A decade younger than his cousin Toumani, the kora player Mamadou Diabaté is arguably the better-known of the two in...
Reviewed by Nigel Williamson in issue: Nov/Dec/2014
Democrazy
It's a sign of our amazing cross-cultural times that a group hailing from the Massif Central, the wild granite heart...
Reviewed by Mark Sampson in issue: Nov/Dec/2014
Cambridge Folk Festival: Celebrating 50 Years
Not, as you might have supposed, a track from each year of the Cambridge Folk Festival's 50-year history, but a...
Reviewed by Kevin Bourke in issue: Nov/Dec/2014
Segunda Vez
A prolific mandolin virtuoso, Mike Marshall juggles genres like other musicians juggle day jobs. Segunda Vez is basically the second...
Reviewed by Brendon Griffin in issue: Nov/Dec/2014
Stories Still Untold
Ewan McLennan continues his evolution into a major figure on the Scottish folk scene with his third album. Stories Still...
Reviewed by Tim Woodall in issue: Nov/Dec/2014
What's Here What's Gone
Since releasing his debut album as a melodeon player back in 1994 aged just 17, Daniels been an in-demand player...
Reviewed by Nathaniel Handy in issue: Nov/Dec/2014
Seavaigers
Composer Sally Beamish originally approached Shetland fiddler Chris Stout and Dundee-born harpist Catriona McKay (who also work together in Fiddlers’...
Reviewed by Kevin Bourke in issue: Nov/Dec/2014
