Much has been happening on Ireland's live circuit in recent years, with the emergence of new names trying new ways...
Reviewed by Michael Quinn in issue: October/2014
Everything about this double album is pared down: the white and grey cover, marked by a single tiny dot; the...
Reviewed by Chris Moss in issue: October/2014
For those whose appetites might have been whetted by the standout performance of the Iranian Vahdat sisters, here's another contemporary...
Reviewed by Peter Culshaw in issue: October/2014
Orlando Julius with The Heliocentrics
Orlando Julius should be much more famous outside his native Nigeria. One of the pioneers of Afrobeat, this is the...
Reviewed by Mark Sampson in issue: October/2014
The cover is a photograph of Peggy Seeger: long coat, her back to the camera, banjo case, beside a railway...
Reviewed by Julian May in issue: October/2014
With today's excess of foot-stomping banjo players and dressed-up Americana, you could be forgiven for overlooking this New Orleans-based troupe....
Reviewed by Edward Craggs in issue: October/2014
Twelfth Day, comprising Catriona Price on fiddle and vocals and Esther Swift on pedal harp, clarsach harp and vocals, have...
Reviewed by Billy Rough in issue: October/2014
If old-time, pre-World War II Americana is your thing, then Aaron and Nicole Keim, the husband-and-wife singing duo collectively known...
Reviewed by Doug Deloach in issue: October/2014
In hindsight, it seems like a natural, perhaps inevitable, undertaking. Put the son, a multiple-Grammy-winning, world renowned singer-songwriter and guitarist,...
Reviewed by Doug Deloach in issue: Aug/Sep/2014
When Jason Hamacher, a punk drummer in Washington DC, read William Dalrymple's From the Holy Mountain, he contacted the author...
Reviewed by Nigel Williamson in issue: Aug/Sep/2014
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