Bridget Marsden & Leif Ottosson
Some records are special from the very first moment. Mountain Meeting opens with a single fiddle tune, a burbling figure...
Reviewed by Tim Woodall in issue: Jan/Feb/2016
Free the Honey is a quartet that plies its trade with a tight-knit, nearly telepathic ease. Jenny Hill (vocals, fiddle,...
Reviewed by Doug Deloach in issue: Jan/Feb/2016
The bad news is that, after 11 years, the 11 members of the great English folk big-band Bellowhead are going...
Reviewed by Julian May in issue: Jan/Feb/2016
The ‘potluck’ in the title of this album, a collaborative project led by Chinese pipa virtuoso Gao Hong, refers to...
Reviewed by Charlie Cawood in issue: Jan/Feb/2016
Subtitled Ska, Soul, Rocksteady & Funk in Jamaica, this pioneering compilation was a hit when first released almost 20 years...
Reviewed by Garth Cartwright in issue: Jan/Feb/2016
Multi-instrumental sisters three, Máire and Mairéad Ní Chathasaigh and Nollaig Casey all have long, illustrious solo careers behind them. Here...
Reviewed by Michael Quinn in issue: Jan/Feb/2016
Favourites on the Australian folk circuit, it's been eight years since Kate Burke and Ruth Hazleton's last recording, Summer's Lonesome...
Reviewed by Seth Jordan in issue: Jan/Feb/2016
Dom la Nena's breathy whispered vocals inhabit every moment on Soyo, the Brazilian singer's second album. Sorrowful swathes of cello,...
Reviewed by Russ Slater in issue: Jan/Feb/2016
Although he was considered a major force among sitar players in India, Balaram Pathak (1923-1991) is virtually unknown in the...
Reviewed by Jameela Siddiqi in issue: Jan/Feb/2016
Anna and Rowan Rheingans were born in Sheffield and grew up in the Peak District, daughters of a violin-maker whose...
Reviewed by Tim Cumming in issue: Jan/Feb/2016
Start your journey and discover the very best music from around the world.
Subscribe