Serbian sax player Kovač is fond of wearing an incandescent pink suit. It's perhaps not the garb you'd expect: there...
Reviewed by Martin Longley in issue: Apr/May/2014
Skipping Rocks is the second album by the father-and-son duo of Ken and Brad Kolodner, featuring the senior party on...
Reviewed by Doug Deloach in issue: Apr/May/2014
One of the most interesting untold stories (outside Iran) of music after the 1979 revolution is the emergence of an...
Reviewed by Laudan Nooshin in issue: Apr/May/2014
What started nearly two decades ago as an elegantly simple idea for a TV show – gather together some excellent...
Reviewed by Kevin Bourke in issue: Apr/May/2014
Given Nigeria's powerful musical tradition and the strong expat Nigerian community in the UK, it's perhaps surprising we haven't heard...
Reviewed by Peter Culshaw in issue: Apr/May/2014
Janelle studied the cello before heading into the worlds of improvised music, contemporary dance and traditional folk, and the Ottawa...
Reviewed by Tim Cumming in issue: Apr/May/2014
This album is the latest instalment of a longstanding project to reimagine the music created by the Arab population of...
Reviewed by Philip Sweeney in issue: Apr/May/2014
The music of the Republic of Suriname, located in the north-east of Latin America, is unfamiliar to many. There's a...
Reviewed by Bastiaan Springer in issue: Apr/May/2014
Greek singer Katerina Papadopoulou was previously unknown to me, but due diligence proves it's been my oversight. This album was...
Reviewed by Marc Dubin in issue: Apr/May/2014
Alasdair Fraser & Natalie Haas
The collaboration between Alasdair Fraser, a US-based Scottish violinist and all-round fiddle music evangelist, and American cellist Natalie Haas is...
Reviewed by Tim Woodall in issue: Apr/May/2014
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