Reviews
An tSLí
Bernard O’Neill has an impressive history. A classically-trained pianist and cellist, he has played double bass for the likes of...
Reviewed in issue December/2020
Do Coração
Last year, we praised Sara Correia’s first adult album (she had released a previous one in her adolescence) as a...
Reviewed in issue December/2020
Stopy
In the last decades, the living folk traditions of Eastern Europe have changed from traditional to revival. The Michal Noga...
Reviewed in issue December/2020
First Steps
Fiddler Martin Clarke and melodeon player Will Allen are Brown Boots, fine players and purveyors of trad dance tunes –...
Reviewed in issue December/2020
Vikings Memories
SKÁLD take their name from the Norse balladeers who told tales of gods and men in the medieval past. The...
Reviewed in issue December/2020
Faerie Fire Dances
Marc Block has been on the folk scene since the mid-1980s, a self-described ‘rootsy Radical Faerie singer of original and...
Reviewed in issue December/2020
Blue
On your first listen to this album, you’ll be immediately struck by its ‘crossover’ nature – the fusion of baroque...
Reviewed in issue December/2020
Hireth
A few accordion notes conjure the scene. Noir. Tanya Brittain makes her entrance: a wronged woman, bent on revenge. ‘Don’t...
Reviewed in issue December/2020
The InCider Sessions
Whatever fiddler Adam Summerhayes is on, I want some. He’s known for his formidable talent in classtcal and tolk traditions,...
Reviewed in issue December/2020
