Released in 2004, the original Pod was the penultimate album from the dance fusion supergroup before they ceased putting out...
Reviewed by Tim Woodall in issue: Nov/Dec/2013
Mr Bongo’s Classic African Recordings series continues with a little-known Peter King set, originally released in the UK in 1975....
Reviewed by Chris Menist in issue: Nov/Dec/2013
Listening to Memories and Moments, Tim O’Brien and Darrell Scott’s much-anticipated follow-up to last year’s live album, We’re Usually a...
Reviewed by Doug Deloach in issue: Nov/Dec/2013
With its subtitle, Bomba, Plena and the Roots of Salsa in Puerto Rico 1955¬1967, this second big Vampisoul sampler tries...
Reviewed by Chris Moss in issue: Nov/Dec/2013
For years The Fisherman’s Friends entertained their mates, holidaymakers and most of all themselves, by singing shanties every week in...
Reviewed by Julian May in issue: Nov/Dec/2013
This is the third album from the alt-folk, world music-infused eight-strong collective from Kent, and was conceived at the band’s...
Reviewed by Tim Cumming in issue: Nov/Dec/2013
Natacha Atlas’ back-catalogue has been open-cast mined in recent years, with both a Best Of and a cut-price box-set already...
Reviewed by Bill Badley in issue: Nov/Dec/2013
While Gaudi’s career has evolved from producer to solo artist, his experiments in electronica have always stayed true to dub....
Reviewed by Clyde Macfarlane in issue: Nov/Dec/2013
This album is certainly Anoushka’s most personal to date, as most of the tracks are inspired by, or in memory...
Reviewed by Simon Broughton in issue: Nov/Dec/2013
In the late 80s, the Gipsy Kings brought pop-flamenco to the world, becoming a household name and world music’s biggest...
Reviewed by Alexandra Petropoulos in issue: Nov/Dec/2013
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