Reviews
Isbrytaren
If there is any rivalry between the nations Sweden and Norway, it’s been set aside by this duo for 50...
Reviewed by Gus Isherwood in issue: October/2013
L’Oeil Du Coeur
This is not your everyday easy listening album. For those without a strong grasp of Arabic and/or French, either a...
Reviewed by Gus Isherwood in issue: October/2013
Hotline
This is an ambitious and impressive suite, as much jazz as it is folk. As a member of Lau, and...
Reviewed by Tim Cumming in issue: October/2013
Pura Vida Conspiracy
It’d be a cliché to mention that salty yeast-based vegetarian spread in relation to whether one has a taste forHütz...
Reviewed by Howard Male in issue: October/2013
Dear River
Emily Barker & The Red Clay Halo
Dear River is Emily Barker’s fourth and arguably best album. It is a collection of 11 original songs spotlighting the...
Reviewed by Doug Deloach in issue: October/2013
Kaani
All credit to hip UK indie label FatCat for picking up this fine album. Kaani (Happy) is actually the third...
Reviewed by Nigel Williamson in issue: October/2013
Cyprus Well
Cyprus Well is a terrace of small houses in Launceston, a town just west of the Tamar, the river between...
Reviewed by Julian May in issue: October/2013
This Appearing World
Marilyn Crispell, Richard Nunns & Jeff Henderson
This adventurous collaborative recording teams American avant– garde pianist and composer Marilyn Crispell with two Kiwis – reed player Jeff...
Reviewed by Seth Jordan in issue: October/2013
The Rough Guide to the Music of the Mediterranean
Though quite pleasant listening, this CD isn’t a comprehensive cross-section of Mediterranean music, but rather a disparate collection of genres...
Reviewed by Philip Sweeney in issue: October/2013
Week of Pines
On her debut album, Aberystwyth-born Georgia Ruth plays harp, piano, reed organ and bells, and her band features multiple guitars,...
Reviewed by Tim Cumming in issue: October/2013
