After the controversy stirred by her debut, Ke‡e Kurdan, in 2004, the title of this album might refer to a...
Reviewed by Francesco Martinelli in issue: October/2014
Rachel Newton is nothing if not busy – a member of The Shee, the Emily Portman Trio, the Furrow Collective...
Reviewed by Tim Cumming in issue: October/2014
The rich river of talent flowing from beneath the sands of West Africa has rather hijacked our perception of music...
Reviewed by Nigel Williamson in issue: October/2014
Much has been happening on Ireland's live circuit in recent years, with the emergence of new names trying new ways...
Reviewed by Michael Quinn in issue: October/2014
Everything about this double album is pared down: the white and grey cover, marked by a single tiny dot; the...
Reviewed by Chris Moss in issue: October/2014
For those whose appetites might have been whetted by the standout performance of the Iranian Vahdat sisters, here's another contemporary...
Reviewed by Peter Culshaw in issue: October/2014
Orlando Julius with The Heliocentrics
Orlando Julius should be much more famous outside his native Nigeria. One of the pioneers of Afrobeat, this is the...
Reviewed by Mark Sampson in issue: October/2014
The cover is a photograph of Peggy Seeger: long coat, her back to the camera, banjo case, beside a railway...
Reviewed by Julian May in issue: October/2014
With today's excess of foot-stomping banjo players and dressed-up Americana, you could be forgiven for overlooking this New Orleans-based troupe....
Reviewed by Edward Craggs in issue: October/2014
Twelfth Day, comprising Catriona Price on fiddle and vocals and Esther Swift on pedal harp, clarsach harp and vocals, have...
Reviewed by Billy Rough in issue: October/2014
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