Cold Sea is the first solo release from Oisin Leech, who may be more familiar as one half of Irish...
Reviewed by Billy Rough in issue: June/2024
Renowned Salento songbird Mazzotta embarks on a daring musical journey with collaborators Ernesto Nobili (guitars) and Cristiano Della Monica (drums,...
Reviewed by Ciro De Rosa in issue: June/2024
‘Life is here, can you feel it?’ Mirja Palo’s lyrics don’t shy away from the pain of labour and childbirth...
Reviewed by Fiona Talkington in issue: June/2024
Goblin Band are a six-piece who coalesced around London’s Hobgoblin music shop. Their liner notes for this 30-minute set of...
Reviewed by Tim Cumming in issue: June/2024
Carlos Coronado likes to establish a musical connection with landscape. Having been born in the Baix Empordà region of Catalonia,...
Reviewed by GonÇalo Frota in issue: June/2024
One of the most rewarding things while listening to Cyril Cyril’s third album is not being able to anticipate what...
Reviewed by GonÇalo Frota in issue: June/2024
Following on from last year’s compact, 22-minute Wild Wet World with its aquatic orchestra of sounds, comes a gargantuan 22-song...
Reviewed by Tim Cumming in issue: June/2024
Engaging folk with contemporary issues Maddie Morris’ debut full-length album, Skin, is an insightful listen. A deeply socially conscious songwriter,...
Reviewed by Billy Rough in issue: June/2024
Seattle’s The Do Goodrs debut album dives deep into personal storytelling and cultural fusion through the band’s love of Balkan...
Reviewed by Buzz Bury in issue: June/2024
It’s been five years since Olivia Chaney’s last solo album, Shelter, which came between the stellar set of traditional balladry...
Reviewed by Tim Cumming in issue: June/2024
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