Reviews
Ground of its Own
I hesitate to begin a review with the CD cover and the sleeve notes but two details here are key...
Reviewed by Julian May in issue: Aug/Sep/2012
Nord
The Warsaw Village Band are one of the most interesting folk groups in Europe: they have always stayed true to...
Reviewed by Simon Broughton in issue: Aug/Sep/2012
African Blues
A dozen years ago the Putumayo label issued one of the first compilations to explore the rich connections between African...
Reviewed by Nigel Williamson in issue: Aug/Sep/2012
Ushba: Georgian Harmonies
The group Mze Shina (Inner Sun) is actually a French quartet – three men and one woman – specialising in...
Reviewed by Simon Broughton in issue: Aug/Sep/2012
Canibalismo
Peruvian cumbia (or chicha) is the rock‘n’roll of Latin music. More about feeling and attitude than other regional styles, it...
Reviewed by Russ Slater in issue: Aug/Sep/2012
Dance to the Sun
Turkey has no shortage of baglama (lute) masters working on new forms of expression, and Europe has no shortage of...
Reviewed by Francesco Martinelli in issue: Aug/Sep/2012
Momo Le Doyen
The Guinea-born saxophonist, singer and composer, who died in 2003 at the age of 77, was one of Africa’s greatest...
Reviewed by Nigel Williamson in issue: Aug/Sep/2012
Trio Portaki
The well-regarded Martha Mavroidi Trio is comprised of Mavroidi on lafta (lute) and vocals, with Georgios Ventouris on bass and...
Reviewed by Maria Lord in issue: Aug/Sep/2012
Corazón de Piel Afuera
Since 1964's Madrugada, Juan ‘Tata’ Cedrón, at the head of assorted line-ups, has been performing a kind of free-form River...
Reviewed by Chris Moss in issue: Aug/Sep/2012
Los Miticos del Ritmo
British producer Will ‘Quantic’ Holland’s love for Colombia grows ever deeper with Los Miticos del Ritmo, his new instrumental cumbia...
Reviewed by Russ Slater in issue: Aug/Sep/2012
