Reviews
Indus Raag: Music Beyond Borders
While the large-scale human suffering at the Partition of India (1947) is very well documented, very few people are aware...
Reviewed by Jameela Siddiqi in issue: Jan/Feb/2014
Jazz and All That
You could treat the surprise success of the Sachal Studios Orchestra’s version of Dave Brubeck’s ‘Take Five’ either as a...
Reviewed by Peter Culshaw in issue: Jan/Feb/2014
Fabian Holland
The real challenge of folk music in a post-industrial society is how to make it relevant. Fabian Holland is a...
Reviewed by Nathaniel Handy in issue: Jan/Feb/2014
Roots of Ska: USA Jamaica 1942-62
In his book Bass Culture, the writer Lloyd Bradley vividly evokes the era before ska and rocksteady eras in 50s...
Reviewed by Charles De Ledesma in issue: Jan/Feb/2014
Gipsy Manifesto
Boban & Marko Markovic Orkestar
Balkan brass bands still wallop their bass drums with the same switches used by Ottoman marching bands, the kind Haydn...
Reviewed by Joe Walker in issue: Jan/Feb/2014
Taboussizé-Niger
Mamar Kassey is the working group name used by the musician Yacouba Moumouni (nicknamed Denké-Denké). The group is from Niger...
Reviewed by Martin Sinnock in issue: Jan/Feb/2014
Hâfez & Goethe: Divân
Abed Azrié is the sort of intellectual musician who could probably only flourish in France. Born in Syria’s most cultured...
Reviewed by Bill Badley in issue: Jan/Feb/2014
New Dawn
The opening track of this young Israeli duo’s debut recording is staggering. It’s clear from the outset that guitarist Itamar...
Reviewed by Bill Badley in issue: Jan/Feb/2014
Disconnected in New York City
Last December, Los Lobos played a three-night residency at NYC’s intimate City Winery. These normally plugged-in Los Angeleno rockers were...
Reviewed by Martin Longley in issue: Jan/Feb/2014
