These two prolific octogenarians have represented Brazilian jazz royalty for around six decades, so it’s high time for a three-CD,...
Reviewed by Mark Sampson in issue: January/February/2024
A treasure trove of North Indian classical and folk music, Music in Covid Times bagged all the most coveted categories...
Reviewed by Jameela Siddiqi in issue: January/February/2024
Aditya Prakash’s debut solo album with its phonetic spelling of ‘isolation’ appears to be a direct reference to the pandemic...
Reviewed by Jameela Siddiqi in issue: January/February/2024
After an album and a handful of EPs, the duo Africaine 808 marks a step forward after a ten-year career...
Reviewed by François Renoncourt in issue: January/February/2024
In Ze Early Morning is the second album of the nomadic artist iZem, who has become an expert in the...
Reviewed by François Renoncourt in issue: January/February/2024
Wesselbobs were akin to Christmas wreaths, decorated evergreen foliage, but woven on a spherical frame. These were carried from house...
Reviewed by Julian May in issue: January/February/2024
Chilean singer-songwriter Mon Laferte believes her latest work is also her best. The title refers to an entity’s capability to...
Reviewed by Chris Wheatley in issue: January/February/2024
Hailing from northern Malawi, this gospel choir began their recording career by accident when they began collecting money to build...
Reviewed by Nigel Williamson in issue: January/February/2024
Originally released in 2016, Is What You Make It is now being reissued. The project has a delightful origin story....
Reviewed by Tony Gillam in issue: January/February/2024
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