In a remarkably prolific year for The Unthanks, this album follows hard on the heels of their mighty collaboration with...
Reviewed by Kevin Bourke in issue: Jan/Feb/2013
LaBrassBanda hail from Bavaria, and this homecoming concert found them playing to 12,000 fans. You read that correctly: not 1,200...
Reviewed by Garth Cartwright in issue: Jan/Feb/2013
Kala Ramnath is both a traditionalist and an experimentalist in the Indian classical tradition. She is also quite simply one...
Reviewed by Simon Broughton in issue: Jan/Feb/2013
This compilation takes a broad view of Scandinavia, going beyond the usual Norway/Sweden/ Denmark configuration and taking in fellow Nordic...
Reviewed by Fiona Talkington in issue: Jan/Feb/2013
In the saturated compilation market these days it’s all about packaging and presentation. The ‘noir’ concept by the German label...
Reviewed by Nigel Williamson in issue: Jan/Feb/2013
With song titles like ‘Transcendental Consciousness’, ‘Brhama-Vishnu-Shiva’ [sic] and ‘Om Shanti’, we are clearly in California meets India territory. Rahul...
Reviewed by Peter Culshaw in issue: Jan/Feb/2013
Leader of the new-generation Albion Band, son of folk¬rock guv’nor Ashley Hutchings and the child actor who played the young...
Reviewed by Tim Cumming in issue: Jan/Feb/2013
Fanga & Maalem Abdallah Guinea
In an era where collaboration is the key to some of the most exciting musical styles around, some fusions remain...
Reviewed by Jim Hickson in issue: Jan/Feb/2013
Like Natacha Atlas, Laila Amezian was bom in Belgium to parents of Moroccan heritage. And like Atlas, she has spent...
Reviewed by Nigel Williamson in issue: Jan/Feb/2013
The stompers of King Porter hail from the southern shores of the UK – they’re a seven-piece Brighton-based collective that...
Reviewed by Ed Stocker in issue: Jan/Feb/2013
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