Reviews
A Tribute to Caetano Veloso
In Brazil and across the Latin American diaspora, Caetano Veloso is God. As a founding father of tropicalia, as a...
Reviewed by Chris Moss in issue: Jan/Feb/2013
Don’t Keep Silent
The title of this New Zealand funk/fusion outfit’s second album couldn’t be more appropriate. Across the album’s 11 tracks Batucada...
Reviewed by Russ Slater in issue: Jan/Feb/2013
Bye Bye Bayou
‘ We have outgrown our Cajun/zydeco roots’ declare Mama Rosin in the press blurb that came with the valedictorially titled...
Reviewed by Julian May in issue: Jan/Feb/2013
Murmurations
The album art for Murmurations is a work of some genius – each individual cover features a unique image, in...
Reviewed by Tim Cumming in issue: Jan/Feb/2013
Jamaica: Rhythm & Blues 1956-1961
The years 1956 and 1961 brought two key events to Jamaica’s musical history. The dates also provide well chosen bookends...
Reviewed by Clyde Macfarlane in issue: Jan/Feb/2013
Diablos del Ritmo: The Colombian Melting Pot 1960-1985
Africa collided with Latin America in myriad ways, from the complex rhythms of son, the Yoruba pulse underpinning cumbia to...
Reviewed by Chris Moss in issue: Jan/Feb/2013
A Nigerian Retrospective 1966-79
Soundway are on a roll at the moment, with new projects and compilations such as this that steadily mine the...
Reviewed by Chris Menist in issue: Jan/Feb/2013
Into the Bloodstream
Aboriginal singer-songwriter Archie Roach has had a tough life. A member of Australia’s ‘stolen generation, forcibly removed from his family...
Reviewed by Seth Jordan in issue: Jan/Feb/2013
Texas Towns & Tex-Mex Sounds
Conjunto is the music of working class Mexican Americans across the south-west. Los Texmaniacs are four Texan veterans who have...
Reviewed by Garth Cartwright in issue: Jan/Feb/2013
From Senegal to the World: 80s Classics & Rarities
Youssou N’Dour began the 80s as the hub of a dynamic emerging music scene in Senegal and ended them being...
Reviewed by Mark Hudson in issue: Jan/Feb/2013
