The Congotronics remix album was inevitable, of course. The primitively electrified ambience of Konono No 1 and the Kasai Allstars...
Reviewed by Nigel Williamson in issue: Jan/Feb/2011
Many dodgy compila¬tions of flamenco on CD either feature long-dead or third-rate musicians. But this eclectic sampler by Jan Fairley...
Reviewed by Steve Carr in issue: Jan/Feb/2011
This is one of the most dynamic and accomplished folk groups from Eastern Europe I've heard in a long time....
Reviewed by Simon Broughton in issue: Jan/Feb/2011
Angelo Debarre, born in St-Denis, France, starte d playing guitar at the age of eight. A member of the Manouche...
Reviewed by Garth Cartwright in issue: Jan/Feb/2011
She sings beautifully. She writes and composes. She speaks out against injustice. She makes her own out-there clothing. If ever...
Reviewed by Jane Cornwell in issue: Jan/Feb/2011
One might have thought that the prolific Wu Man – who more or less single-handedly introduced the Chinese pipa lute...
Reviewed by Michael Church in issue: Jan/Feb/2011
There can be few outfits whose name describes their modus operandi quite as fittingly as Hot Club Of Cowtown. If...
Reviewed by Nige Tassell in issue: Jan/Feb/2011
Dastan Ensemble with Hamid Motebassem & Salar Aghili
As one of the most innovative and prolific contemporary Iranian classical music ensembles to emerge since the early 90s, Dastan...
Reviewed by Laudan Nooshin in issue: Jan/Feb/2011
Situated in a pub on a sidestreet in Battersea, Le QuecumBar is the UK’s leading – perhaps only – venue...
Reviewed by Garth Cartwright in issue: Jan/Feb/2011
You might describe choro as having the sensibilities of classical music alongsidethe earthiness of street music. It grew up in...
Reviewed by Fiona Talkington in issue: Jan/Feb/2011
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