Reviews
Gleann Nimhe – The Poison Glen
The Poison Glen lies under the shadow of the iconic Mount Errigal, Ireland's answer to Mount Fuji. It's not far...
Reviewed by Geoff Wallis in issue: June/2012
The Rough Guide to African Roots Revival
One of the keys to success in the competitive compilation market is to find fresh and interesting thematic approaches that...
Reviewed by Nigel Williamson in issue: June/2012
Fototse Racines Roots
Claude Teta comes from a family of musical brothers who play tsapiky music for ceremonies and weddings. They live in...
Reviewed by Paddy Bush in issue: June/2012
Rangeele
Rangeele is Kailash Kher's fourth album with the band Kailasa, which he set up with brothers Paresh and Naresh Kamath...
Reviewed by Kulbir Natt in issue: June/2012
Elo
Four years after her last album, Samba Meu, Elis Regina's daughter (as she now allows herself to be called) returns...
Reviewed by Alex Robinson in issue: June/2012
Schimpelsberger Circle of Sound
Soumik Datta is Britain's most exciting sarod player, both in Indian classical and new experimental music. This disc, with Austrian-born...
Reviewed by Simon Broughton in issue: June/2012
The Mutiny
If there is a word that sums up this collective founded in Cambridge by husband-and-wife duo Joel Clayton (guitar and...
Reviewed by Nathaniel Handy in issue: June/2012
Astor Piazzolla
The praise lavished on the three late Astor Piazzolla albums on Nonesuch is in part due to producer Kip Hanrahan's...
Reviewed by Chris Moss in issue: June/2012
Rocket Juice & The Moon
It's hard to underestimate the impact Damon Albarn has had on traditional concepts of what constitutes ‘world music’, via such...
Reviewed by Nigel Williamson in issue: June/2012
