Maimu Jõgeda is an Estonian now living in Helsinki, and Nordic Reflections is her third album. It features nine original...
Reviewed by Tony Gillam in issue: May/2025
The swelling ‘K-Wave’ of South Korean culture has also buoyed up experimental treasures like Park Jiha. Her work deploys traditional...
Reviewed by Liam Izod in issue: May/2025
Anna, Sheila and Clare Friel of Donegal play the fiddle, flute, tin whistle and uilleann pipes, and between them trade...
Reviewed by Tim Cumming in issue: May/2025
Inspired by his visits to Brazil, Canadian composer and instrumentalist Storring applies contemporary composition techniques to convey the impressions which...
Reviewed by Andy Cumming in issue: May/2025
When the phrase “library music” comes up, the image that comes to my mind is of dusty LPs with modernist...
Reviewed by Andy Cumming in issue: May/2025
With For the Olives, New Orleans-based Trendafilka extends the legacy of Eastern European polyphonic singing into the 21st century. An...
Reviewed by Doug Deloach in issue: May/2025
The 107th Street Stickball Team
This pick-up outfit featured in Vampisoul’s marvellous retrospective of producer Bobby Marín’s work, We’ve Got a Groovy Thing Going [reviewed...
Reviewed by Mark Sampson in issue: May/2025
By 1989, where the Out Here on the Perimeter boxset begins, Jamaican drummer Lincoln ‘Style’ Scott was a fully committed...
Reviewed by Celeste Cantor-Stephens in issue: May/2025
To celebrate the 40th anniversary of her career, Portuguese singer Maria João is releasing one of her boldest records to...
Reviewed by GonÇalo Frota in issue: May/2025
A remarkable trait of Alison Krauss & Union Station is the consistently sublime nature of the band’s output. It’s been...
Reviewed by Doug Deloach in issue: May/2025
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