Polish outfit Polski Piach’s third album, Anomalia sees them return with a new angle on their brand of folk-blues. The...
Reviewed by Olivia Cheves in issue: August/September/2024
The eccentric genius of Eblis Álvarez’ Meridian Brothers project is now 12 albums deep. The Colombian magician’s unrivalled capacity for...
Reviewed by Justin Turford in issue: August/September/2024
Glasgow-based singer and fiddle player Collier’s debut album Uddevalla is a strikingly global and atmospheric selection of songs and tunes...
Reviewed by Billy Rough in issue: August/September/2024
If you’re anything like me, you only need three words to make you want to listen to this: Libyan Touareg...
Reviewed by Jim Hickson in issue: August/September/2024
Riccardo Tesi & Claudio Carboni
Tesi, a specialist of the organetto, after 30 years produces another tribute to ballo liscio, a hugely popular form of...
Reviewed by Francesco Martinelli in issue: August/September/2024
It was a fascination for Estonian chorales and folk music which brought these four musicians together in 2021, and a...
Reviewed by Fiona Talkington in issue: August/September/2024
Huun-Huur-Tu, Carmen Rizzo & Dhani Harrison
Tuvan khöömei/throat-singing elder statesmen Huun-Huur-Tu have made many collaborations over the years. Acclaimed producer Carmen Rizzo has worked with them...
Reviewed by Michael Ormiston in issue: August/September/2024
Cadair Idris is the debut album from the Leeds-based eight-piece folk-jazz collective Awen Ensemble. Awen, meaning ‘poetic inspiration’ in Welsh,...
Reviewed by Buzz Bury in issue: August/September/2024
Leipzig-based saxophonist, composer and producer Damian Dalla Torre has been on the improvisation/experimental music scene for some time, working with...
Reviewed by Chris Wheatley in issue: August/September/2024
When Nikiforos Cavvadias arrived in Belgium in the early 60s he was already a famed producer, having run the Ngoma...
Reviewed by Nigel Williamson in issue: August/September/2024
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