Having taken a five– year gap between his first two albums and forced us to endure a three–year wait, no...
Reviewed by Michael Quinn in issue: Apr/May/2010
As someone unfortunately old enough to remember the worst extravagances of progressive rock and some appalling collaborations with the classical...
Reviewed by Geoff Wallis in issue: Apr/May/2010
Daniel Sandén-Warg & Sigurd Brokke
As I write, the nominees of the Spellemannprisen, Norway’s Grammy awards, have just been announced. In the category of Best...
Reviewed by Fiona Talkington in issue: Apr/May/2010
‘Like David Grisman's Dawg’ music, but with pierogies,’ is how Eric Stein, leader of Beyond The Pale once jokingly described...
Reviewed by Li Robbins in issue: Apr/May/2010
Originally a classical musician, clarinettist Kate Luxmoore re–cast herself as a composer and improviser in order to broaden her sonic...
Reviewed by Tim Woodall in issue: Apr/May/2010
Since 1997, Amparanoia have built up a small but fervent following with a sound that combines Spanish agit–pop of the...
Reviewed by Chris Moss in issue: Apr/May/2010
When the Nigerian civil war ended in 1970, a period of experimentation and musical freedom ensued, producing some rich and...
Reviewed by Rose Skelton in issue: Apr/May/2010
Venezuela is more than Hugo Chavez, the Bolivarian revolution, Gustavo Dudamel and the Orchestra Simon Bolivar. Yet all have contributed...
Reviewed by Jan Fairley in issue: Apr/May/2010
This gorgeous, melancholic and magical mini-album of eight songs, clocking in at around half the length of many of today’s...
Reviewed by Tim Cumming in issue: Apr/May/2010
The Palestinian poet Mahmoud Darwish inspired and collaborated with numerous musicians during his lifetime. The work he left has already...
Reviewed by Bill Badley in issue: Apr/May/2010
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