Second albums are said to be the most problematic creations, particularly after an outrageously strong debut, like Balimaya Project's Wolo...
Reviewed by Max Reinhardt in issue: October/2023
It's very difficult to pigeonhole the music of Barcelona's Adriano Galante, although ‘understated Hispanophone quietism with a very distant nod...
Reviewed by Kim Burton in issue: October/2023
Shorelines, the fifth solo album from the Irish multi-instrumentalist is an exciting, inspiring and thoroughly enchanting listen. A collection of...
Reviewed by Billy Rough in issue: October/2023
No messing around for Harold López-Nussa; it's all courses served at once with ‘Funky’, an irrepressible display of groove and...
Reviewed by Tom Newell in issue: October/2023
This Franco-Brazilian quartet is the product of a friendship forged online between France's Sophie Magnani (singer) and multi-instrumentalist Hervé Morisot,...
Reviewed by Mark Sampson in issue: October/2023
Ever since the Lomaxes discovered Lead Belly in the Louisiana State Penitentiary in 1933, prison has earnt itself a vaunted...
Reviewed by Nigel Williamson in issue: October/2023
Awesome Tapes from Africa once again breathe new life into an album that was almost lost to time with their...
Reviewed by Alexandra Petropoulos in issue: October/2023
Born in 1938 in Cairo, Nagat El-Saghira made her first public performance at the age of seven – her diminutive...
Reviewed by Charlie Cawood in issue: October/2023
What do you get when you cross a Swedish guitarist, a Danish cellist and composer, a Jordanian singer, oud player...
Reviewed by Nigel Williamson in issue: October/2023
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