Reviews
Tumbélé! Biguine, Afro & Latin sounds from the French Caribbean 1963-74
In non-Francophone world music camps, Martinique and Guadeloupe were somewhat overlooked in the recent rush for Latin and African music....
Reviewed by Sue Steward in issue: Jan/Feb/2010
La Bodega
Totó la Momposina celebrates her 69th birthday with an irresistible disc of diverse Colombian genres, all rooted in her hometown...
Reviewed by Jan Fairley in issue: Jan/Feb/2010
The Way Home
Having followed an early grounding in his native Highland traditions with a full classical training, Donald Grant is both a...
Reviewed by Sue Wilson in issue: Jan/Feb/2010
Soundman Shots: The Caribou and Downbeat 78s Story
The title of this set refers to Jamaican so und – system operators, while Caribouand Downbeat were two pioneering record...
Reviewed by Neil Foxlee in issue: Jan/Feb/2010
Africa Express Presents…
Africa Express is a loose cooperative of like minds (with Damon Albarn somewhere near the hub) that takes Western rock...
Reviewed by Mark Ellingham in issue: Jan/Feb/2010
From There to Here
It’s high time Omar Puente received his due. The Yorkshire–based Cuban violin virtuoso and jazzer has been just outside the...
Reviewed by Jane Cornwell in issue: Jan/Feb/2010
Bali 1928 I: Gamelan Gong Kebyar
Claude Debussy–one of the first Western composers to hear and be influenced by gamelan — titled one of his piano...
Reviewed by John Whitfield in issue: Jan/Feb/2010
Rare and Glorious
Ravi Shankar is undoubtedly the world’s best-known Indian musician. His name has not only become synonymous with his instrument, the...
Reviewed by Jameela Siddiqi in issue: Jan/Feb/2010
Wonder Wheel
The Klezmatics – accomplished Ameri¬can practitioners of progressive klezmer music for the past 20 years – won a Grammy for...
Reviewed by Nigel Williamson in issue: Jan/Feb/2010
The Astounding Eyes of Rita
The shadowy timbres of Anouar Brahem's last CD, Le Pas de Chat Noir, made it one of the most striking...
Reviewed by Bill Badley in issue: Jan/Feb/2010
