Reviews
Wild and Free
Despite the passing of reggae legend Bob Marley over two decades ago, his family legacy lives on. On top of...
Reviewed by Ed Stocker in issue: Nov/Dec/2011
Yeshi Dolma
Tenzin Choegyal, Katherine Philp & Camerata – Queensland’s Chamber Orchestra
Yeshi Dolma is the culmination of ten years of collaboration between Tenzin Choegyal from Tibet and Australian Katherine Philp. They...
Reviewed by Michael Ormiston in issue: June/2022
Rosa del Sud
In his wanderings through the poetic and sonic landscapes of the Mediterranean, re-imagining the historical and cultural bedrock of his...
Reviewed by Ciro De Rosa in issue: November/2015
The Springtime Fool
Their catchy folk-pop choruses and carefree vagabond spirit recall The Levellers at their best. But there is much more to...
Reviewed by Nathaniel Handy in issue: Aug/Sep/2012
Stambeli: The Legacy of the Black Tunisians
The heavy clacking of the qaraqab (iron castanets) and the hypnotising melodies of the gimbri (three-stringed lute) make it easy...
Reviewed by Alexandra Petropoulos in issue: July/2011
Reggae Golden Jubilee: Origins of Jamaican Music – 50th Anniversary
Hot on the heels of Out of Many: 50 Years of Reggae Music (reviewed in #88) comes this 100-track box-set,...
Reviewed by Neil Foxlee in issue: March/2013
Notes For a Maiden Warrior
Borders run through Dani Larkin’s life and work. A native of the Armagh/ Monaghan borderlands, she has worked in peace-building...
Reviewed by Tim Cumming in issue: July/2021
Many Languages: One Soul
Five skilled clarinettists from across the Balkan peninsula have been convened by two clarinettist/composers from Germany, under the auspices of...
Reviewed by Kim Burton in issue: March/2015
Walimizi
Mayotte is a little island and French overseas department situated in the Indian Ocean between Mozambique and Madagascar where the...
Reviewed by Robin Denselow in issue: March/2023
Heemor (Windhorse Reprise)
Wind Horse, the debut release by Inner Mongolian band Anda Union in 2011, was a Top of the World in...
Reviewed by Simon Broughton in issue: November/2018
