Reviews
Parfum de Jasmin
There is something very Western-centric and media-friendly about the fashion for naming popular uprisings after colours, seasons and horticulture. It’s...
Reviewed by Nathaniel Handy in issue: July/2012
Suba
Omar Sosa & Seckou Keita's debut album as a duo, Transparent Water, came out in 2017 and was a transporting...
Reviewed by Tim Cumming in issue: November/2021
Blitzmash
Despite their ambition to remain at the cutting edge of innovative world jazz, the Amsterdam Klezmer Band has always been...
Reviewed by Ton Maas in issue: July/2014
Long Road to Tiznit
Blues guitarist and serial collaborator Ramon Goose, most recently heard with the West African Blues Project, is back with a...
Reviewed by Jim Hickson in issue: November/2017
Abatwa (The Pygmy): Why Did We Stop Growing Tall?
Following recordings made in Vietnam, Cambodia and Mali, the fourth album in Ian Brennan's Hidden Musics series finds the indefatigable...
Reviewed by Nigel Williamson in issue: November/2017
Ashofak Baden
Singer Nadin Al Khalidi saw a selfie of a Yazidi couple in northern Iraq that they had posted on social...
Reviewed by Max Reinhardt in issue: July/2016
La Vendange
La Très Illustre Compagnie du Chat Noir
This weird and wonderful project is the brainchild of three Dutch musicians – Marijn de Valk, Rik Bosch and Daan...
Reviewed by Nathaniel Handy in issue: June/2014
Leeroy Presents: Fela is the Future
A French hip-hop and beatboxing hero from the early 2000s, Leeroy is at the controls here as curator and producer...
Reviewed by Max Reinhardt in issue: April/2018
On Firm Ground/Tierra Firme
Jane Bunnett is the pioneering Canadian saxophonist, flautist, bandleader and educator whose work with Afro-Cuban jazz remains deft, groundbreaking and...
Reviewed by Jane Cornwell in issue: March/2020
Brasil Bam Bam Bam
‘What was a French boy, living in South London, doing putting up aerials at the age of 15 so he...
Reviewed by Brendon Griffin in issue: July/2014
