Reviews
Nocturno
Gianni Iorio & Pasquale Stafano
Ever since Astor Piazzolla relocated to Milan in 1973 to spend a decade experimenting and recording blistering, audacious albums such...
Reviewed by Chris Moss in issue: October/2016
Reflections of Palestine
One of the good news stories to come out of the despair of the first Intifada was how music guided...
Reviewed by Bill Badley in issue: October/2012
Italie: Polyphonies Vocales de Ligurie
In a north-western corner of Italy, inland from Sanremo and not far from the French border, a cascade of fortified...
Reviewed by Andrew Mcgregor in issue: Aug/Sep/2010
Last of the Outlaws
Railroad Earth balance a studious approach to Americana, which generates tuneful passages and thoughtful songs, with a “Worry? What, us?”...
Reviewed by Doug Deloach in issue: Jan/Feb/2015
Couleur
Three years after her masterpiece, Miziki, Ivorian singer Dobet Gnahoré has now taken up the challenge to produce another highly...
Reviewed by Pierre Cuny in issue: Aug/Sep/2021
We Have Tigers
I have mixed feelings about We Have Tigers, the debut folk album of the Finnish-English artist Inga Liljeström. Let's deal...
Reviewed by Howard Male in issue: March/2018
Bem-Vinda Amizade
Even those with only a passing interest in Brazilian music will have heard the song ‘Mas Que Nada’ – a...
Reviewed by Alex Robinson in issue: May/2022
Ngiwu Shwabada
The 2017 debut by the young, dreadlocked South African jazz guitarist and singer Sibusile Xaba, Unlearning/Open Letter to Adoniah, received...
Reviewed by Nigel Williamson in issue: May/2020
